In-line tracking is similar to the AWS 924 with either the MIC or the LINE signal providing the CHOP and Track Bus source. Normally this primary signal is level controlled by the V-Pot. However through “fader flip” it is possible to use the large fader instead. In this setup the secondary signal (DAW output/monitor return or the even the CH OP) goes to the Large fader. Auto-M takes control of the return switch to provide automatic monitor source switching between the channel paths, following the DAW transport status. The monitor path is heard in Play, and the input path is heard in record or stop. S-CUE employs automatic cue send source switching between the channel paths, following the DAW transport status, to provide full zero latency drop-in and record monitoring, a sum of both paths is heard in play and only the input is heard when in record or stop.
In-line mix provides identical operation to the AWS 924 channel strip with the exception that a second signal path is available as a mix input in classic In-line console fashion. In this mode the Channel V-Pot acts as the second input gain control. All 48 channel signal paths level and cut automation in analogue domain.
Channel configuration and setup is accomplished via the AWS 948 onboard TFT screen and soft keys, and it is even possible to move or divide the channels processing resources (EQ, Insert etc.) between each of the dual paths.
AWS 948 channel input section features two balanced Line Inputs with +/-20dB of gain and a world class SuperAnalogue™ Mic Amp featuring continuous mic gain control (+15 to +75dB), phase reverse and switchable 48V phantom power. The -20dB PAD is intended for use with very high output microphones. The routing functionality of the Insert varies according to the three different operating modes.